The Harvard Cooperative Monopoly
September 26, 2007 at 3:22 pm | In books, news, opinion, school | 2 Comments
More brouhaha brewing at everybody’s favorite campus bookstore, the Harvard Coop, the latest confrontation involving members of the Harvard Undergraduate Council and some friends from the Cambridge police department. More eyes are watching this time, since boingboing has linked to both this Crimson story and an earlier incident as well (boingboing link for that is here).
This all started last year, when a few guys decided to found an online textbook comparison-shopping website called crimsonreading.org for Harvard classes. The website eventually partnered up with the Harvard Undergraduate Council (UC), but failed to garner any sort of support from the administration, nor the permission of the Coop to access the ISBN numbers of all the textbooks in the store. These ISBN number are crucial to providing the right books for each course, because they are unique to the each edition and printing. Usually these numbers are solicited from professors directly via phone or email, or for a small minority classes, they are available online from the course syllabus after classes have begun. The painstaking process of getting these numbers quickly before each semester is both the reason the Coop is so protective of its book list, and also the reason that it has been able to levy unnecessarily high mark-ups on books without suffering from significant competition. Very simply, there is no other place to get the right books for a course, and even students who care about saving money often have no choice but to buy from the Coop.
One alternative that has been available to students is to order books online. Continue reading The Harvard Cooperative Monopoly…
25. Watching Pan’s Labyrinth. Not being moved.
June 4, 2007 at 1:02 am | In movies, opinion, rambling | Leave a CommentSo I know people all over the blogo-critico-media-sphere have been talking about how darkly gorgeous and life-affirming this movie was, but I have to be honest, I think I may have missed the point. Maybe I do remember perceiving a point along the way, and maybe I actually felt it hit me. It was somewhere left of center on my chest, which is what I would have expected based on my preconceptions about the film. But then I forgot about it. Sadly, the deepest feeling I was left with at the end of the film was puzzlement that I didn’t have any deeper feelings after the film.
I’d like to think, at least, that this wasn’t all the film’s fault (or heaven forbid, mine for not having the heart to be moved by it). It was my fault entirely, however, for failing to realize that my friends, among which the cynical and weak-stomached abound, were not going to thank me for inviting them over for nightmares, or worse, a feature-length affliction of sweaty hands and restlessness. More importantly, I underestimated the effect that this would have on my own experience. Watching a movie with a group of people prone to groaning about the violence or the acting or the unbearableness of the dramatic tension will thwart the most willing recipient of that elusive quality of good movie-watching, suspension of disbelief.
You’d think that “suspending” your “disbelief” would only really be important in very fanciful or crappy movies, Continue reading 25. Watching Pan’s Labyrinth. Not being moved….
Fairplay ≠ Fair Use?
January 15, 2007 at 10:51 pm | In arguments, nytimes, opinion, rambling | 1 CommentWell, looks like both boingboing and kleinschmidt beat me to this critique in the NYTimes of Apple’s use of DRM in iTunes, but just thought I’d add a link to this in the Straight Dope on the Fair Use clause, that ubiquitous piece of copyright legislation that some of my friends swear justifies their peddling of bootleg movies on eBay. (Actually I think the argument was that it was legal to copy CD’s to give it to friends, which is still untrue, “technically” or otherwise.) Lest we might get “legal” confused with “everyone does it,” here’s the Straight Dope on Fair Use, inspired by common sense for the most part:
- It’s OK to copy music onto an analog cassette, but not for commercial purposes.
- It’s also OK to copy music onto special audio CD-Rs, mini-discs, and digital tapes (because royalties have been paid on them) – but again, not for commercial purposes.
- Beyond that, there’s no legal “right” to copy the copyrighted music on a CD onto a CD-R. However, burning a copy of a CD onto a CD-R, or transferring a copy onto your computer hard drive or your portable music player, won’t usually raise concerns so long as:
- The copy is made from an authorized original CD that you legitimately own.
- The copy is just for your personal use. It’s not a personal use – in fact, it’s illegal – to give away the copy or lend it to others for copying.
- The owners of copyrighted music have the right to use protection technology to allow or prevent copying.
- Remember, it’s never OK to sell or make commercial use of a copy that you make.
There are certain exceptions to these general principles Continue reading Fairplay ≠ Fair Use?…
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